Schwarzblut (full name: Die goetheanistische Tonkunstgesellschaft Schwarzblut) is a Gesamtkunstwerk. A collective work of art, based on historic German poetry and carried by organic-electronic music.
On this 3rd album the band amplifies man’s eternal enticement to sin and wickedness. Each song gives the listener a view on one of the ‘Peccatum mortiferum’ (Eng: cardinal sins). The album includes texts by 17th, 18th and 19th century poets and philosophers such as Arthur Schopenhauer (1788-1860), Friedrich Theodor Vischer (1807-1887) and Moritz Graf von Strachwitz (1822-1847). Despite being their most up-tempo album ever, ‘Gebeyn aller Verdammten’ features the band’s most prominent classical arrangements to date.
Kapellmeister Carsten Altena gave every song a striking film score-like orchestration. From the beat driven cello of ‘Wer vom Ziel nicht Weiß’, to the Wagnerian horns of ‘Bisaufs Blut’, to the marching percussion of ‘Lied der Rache’.Every sin sounds as big as the other, with guest musicians providing cello and percussion to add to the lively feel of the music. The angelic voice ofAngèlika and harsh vocals of Zeon prove an excellent duo in channeling the various emotions.
The album has a particular broad vocal variety, ranging from classical Latin chants on ‘Das Lob der Faulheit’ to grimly whispering on ‘Judas’ and even vocoded voices on ‘Bis aufs Blut’. With ‘Gebeyn aller Verdammten’ Schwarzblut shows an interesting development in their songwriting, choice of lyrics and overall artistic performance. This album is by far their most profound and powerful album. With many tracks fit for the dancefloor, and for those into LAIBACH, BLUTENGEL, SKINNY PUPPY, FRONT LINE ASSEMBLY and DAS ICH.
https://soundcloud.com/schwarzblut
https://myspace.com/schwarzblut1
http://www.schwarzblut.com
http://www.youtube.com/watch?v=qLu3Dn1Bslg
